the critic

topic posted Sun, April 25, 2004 - 11:36 PM by  pandulce
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by candle light in the warmth of my studio space.
warming my spine. falling and rolling. standing. sounding.
feels like someone is watching. I look outside and the street below is empty. I close my eyes and continue to move dreaming into the watcher. I feel/see? the presence of the shadowy figure of my killer, (the one who has assaulted me twice)whose breath is on my neck, as I move (as I exist). I shift into the watcher/killer and feel him move my flesh. He wants to be seen too. He is heat in the belly and sharp arms, his vision is like a hunters, tracking a whirl of night visions, I start to get edged out, and can no longer hold him. I slip back into my fear of him ( and some of the trauma of past physical abuse and assault), so I slow down, and call on the meta communicator in neutral. She is calm and sees that I am both the hunted and the hunter. I am curious about the the sharp movement the intense focus and tracking of the killer , and try working with those qualities. I notice that it is difficult in this moment to be so clear and direct with my movement, and even as I try this I feel a circle of watchers. I sustain the exploration of these qualities with an inner focus on the feeling of it, gaze downward. The heat and intensity of the movement becomes more and more fierce- quick turns and sharp directional shifts. Also the intensity of the watchers increases, but something shifts and I bring my gaze up to meet thiers I stay with the quality of movement and meet thier faces, this is difficult, they are my critics analizing each detail and position, realizing this for a moment fear tries to creep in and I hold the gaze and push through. I start to feel more relaxed in this state and soon I notice the quality of my movement has shifted to a more fluid and lyrical(kind of reminds me of a belly dancer) so I work with the feeling of being a belly dancer and how good it feels to move fluidly and rhythmically, sexy, and clear with each gesture and turn, there is something solid and also relaxed about this quality. I shift between the hunter/killer and the belly dancer staying connected to the gaze of the watchers. I need both of these qualities. there is more and I will just take a breath and see what is next.
posted by:
pandulce
Colorado
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  • Re: the critic

    Sun, April 25, 2004 - 11:50 PM
    so much more happened within the explorations of each figure/state. For instance in fear there was a disjointed and disconnected quality to my movement, which I played with a little. With the Belly dancer I felt this whole body connection where all the parts were connected I felt my legs and my arms rooted into my spine and core center, it felt good, and that integrity was challenged when I felt the presence of the witness. so I worked to sustain that with my awareness and acknowledgement of the witness. It felt difficult at first. I knew that I wanted to carry this quality back with me, I also took note of the witness/critic and explored the critics movement which was an awful lot like fear. Anyhow enough of talking about process.... and the work goes on.....
    • Re: the critic

      Tue, April 27, 2004 - 8:53 PM
      was there a witness or a phantom witness?

      Uma, thank you as always for you as muse
      I sit here exhausted, thinking of how to wind my day down and realize that i got to enter my groove state, alone, find my dance
      It is so easy for me to disconnect these days.
      The desire of a previous state of my dance.
      but realizing that it is the new state that it is about, and connecting back into that state, watever it may be now.
      I feel an intense desire for new music and anonymity in a scene to groove on and off of, that is something that I feel is lost now.
      A space where all the space, sound and physical is new territory
      How is that found?
      solo?
      blindfold and earplugs?
      surrender to what is always seems to be ggod (meant to write good but like that too) too.
      peace in dreamings
      • Re: the critic

        Tue, April 27, 2004 - 10:10 PM
        the witness was a ghost role or what is called a time spirit, a part that i might normally marginalize. In the description above I was noticing it's or thier presence and intentionally working with that part. making the unconscious- conscious. With the idea that all the things that I see as not me, are in someway also me. Working with those parts helps me to investigate and learn from those parts.

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